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		<title>Mindful Bard Film Review: Aftershock</title>
		<link>http://themindfulbard.wordpress.com/2011/10/26/mindful-bard-film-review-aftershock/</link>
		<comments>http://themindfulbard.wordpress.com/2011/10/26/mindful-bard-film-review-aftershock/#comments</comments>
		<pubDate>Wed, 26 Oct 2011 17:55:43 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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		<description><![CDATA[Film: Aftershock (2010) Director: Feng Xiaogang Cast: Fan Xu, Jingchu Zhang, Chen Li Genre: Art House/International/Drama “When told only one child could be saved, my mother said, ‘Save my son.’ These words keep ringing inside my ears. Dad, it’s not &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/26/mindful-bard-film-review-aftershock/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=837&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Film: <em><a href="http://www.mediaasia.com/aftershock/en_main.html" target="_blank">Aftershock</a></em></strong> (2010)</p>
<p><strong>Director:</strong> Feng Xiaogang</p>
<p><strong>Cast:</strong> Fan Xu, Jingchu Zhang, Chen Li</p>
<p><strong>Genre:</strong> Art House/International/Drama</p>
<p><em>“When told only one child could be saved, my mother said, ‘Save my son.’ These words keep ringing inside my ears. Dad, it’s not that I don’t remember. It’s just that I can never forget.”</em></p>
<p>from <em>Aftershock</em></p>
<p><em>“He who has gone, so we but cherish his memory, abides with us, more potent, nay, more present than the living man.”</em></p>
<p>Antoine de Saint-Exupéry</p>
<p><strong>Getting to “Forgive Me”</strong></p>
<p>Most tearjerkers set you up by making you fall in love with the characters and then leading you by degrees into a spectacular tragedy. <em>Aftershock</em> manages to make you cry within the first 20 minutes.</p>
<p>How? By introducing themes so profound and universal and depicting them with such cinematographic sensitivity that our attachment to the characters and their plight is fast-tracked. <a href="http://www.voicemagazine.org/articles/columndisplay.php?ART=8159" target="_blank">(read entire review)</a></p>
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		<title>In Conversation With . . . J. D. Miner, Part II</title>
		<link>http://themindfulbard.wordpress.com/2011/10/26/in-conversation-with-j-d-miner-part-ii/</link>
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		<pubDate>Wed, 26 Oct 2011 17:23:44 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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		<description><![CDATA[J.D. Miner is a folk trio from B.C., now consisting of singer and songwriter Darryl Klassen, playing just about anything, Joe Worst on bass, and Chad Joiner on fiddle, mandolin, clarinet, and guitar. Honorary lifetime member Joel Klingler (who writes &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/26/in-conversation-with-j-d-miner-part-ii/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=833&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong><em><a href="http://www.voicemagazine.org/articles/articledisplay.php?ART=8153" target="_blank">J.D. Miner</a> is a <a href="http://www.jdminer.com/" target="_blank">folk trio</a> from B.C., now consisting of singer and songwriter Darryl Klassen, playing just about anything, Joe Worst on bass, and Chad Joiner on fiddle, mandolin, clarinet, and guitar. Honorary lifetime member Joel Klingler (who writes songs and plays mandolin and guitar) also joins them on their most recent album, </em>Coal Train<em>. Recently Darryl Klassen took the time to talk with Wanda Waterman about inspiration, revelation, and speculation. (Read <a href="http://www.voicemagazine.org/articles/articledisplay.php?ART=8149" target="_blank">Part I</a> of this interview and the 2008 </em>Voice<em> <a href="http://www.voicemagazine.org/search/searchdisplay.php?ART=5707" target="_blank">interview</a> with the group.)</em></strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Film review: The Illusionist &#8212;&#8212;&#8211; &#8220;The sadness of Tatischeff and his essential solitude are so beautifully couched in exquisite portrayals of the essential sweetness of life.&#8221;</title>
		<link>http://themindfulbard.wordpress.com/2011/10/16/film-review-the-illusionist-the-sadness-of-tatischeff-and-his-essential-solitude-are-so-beautifully-couched-in-exquisite-portrayals-of-the-essential-sweetness-of-life/</link>
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		<pubDate>Sun, 16 Oct 2011 16:27:45 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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		<description><![CDATA[http://www.voicemagazine.org/articles/columndisplay.php?ART=8150 Film review: The Illusionist &#8212;&#8212;&#8211; &#8220;The sadness of Tatischeff and his essential solitude are so beautifully couched in exquisite portrayals of the essential sweetness of life.&#8221; Filed under: Uncategorized<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=831&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>http://www.voicemagazine.org/articles/columndisplay.php?ART=8150</p>
<p>Film review: The Illusionist &#8212;&#8212;&#8211; &#8220;The sadness of Tatischeff and his essential solitude are so beautifully couched in exquisite portrayals of the essential sweetness of life.&#8221;</p>
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		<title>In Conversation With . . . J. D. Miner, Part I &#8212;&#8212; “I’m actually quite serious about the ‘lock up the bankers’ reference in ‘Cowboy Rap,’” Miner says. “It amazes me that it’s taken this long for people to start pointing the finger where it needs to be pointed— Wall Street and Bay Street.&#8221; (Darryl Klassen)</title>
		<link>http://themindfulbard.wordpress.com/2011/10/16/in-conversation-with-j-d-miner-part-i-%e2%80%9ci%e2%80%99m-actually-quite-serious-about-the-%e2%80%98lock-up-the-bankers%e2%80%99-reference-in-%e2%80%98cowboy-rap%e2%80%99%e2%80%9d/</link>
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		<pubDate>Sun, 16 Oct 2011 16:16:10 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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		<description><![CDATA[http://www.voicemagazine.org/articles/articledisplay.php?ART=8149 Filed under: Uncategorized<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=826&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>http://www.voicemagazine.org/articles/articledisplay.php?ART=8149</p>
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		<title>Film Review: The Illusionist &#8212;&#8211; The Magic of Magic Dispelled: Portrait of the Artist as a Travelling Magician</title>
		<link>http://themindfulbard.wordpress.com/2011/10/16/film-review-the-illusionist-the-magic-of-magic-dispelled-portrait-of-the-artist-as-a-travelling-magician/</link>
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		<pubDate>Sun, 16 Oct 2011 16:12:53 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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			<content:encoded><![CDATA[<p>http://www.voicemagazine.org/articles/columndisplay.php?ART=8150</p>
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		<title>Metropia:  Brazil’s 1984-Style Matrix in 21st-Century Sweden</title>
		<link>http://themindfulbard.wordpress.com/2011/10/13/metropia-brazil%e2%80%99s-1984-style-matrix-in-21st-century-sweden/</link>
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		<pubDate>Thu, 13 Oct 2011 14:34:42 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[1984]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[film reviews]]></category>
		<category><![CDATA[financial holocaust]]></category>
		<category><![CDATA[metropia]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[speculative fiction]]></category>
		<category><![CDATA[Sweden]]></category>

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		<description><![CDATA[In Metropia the holocaust was brought on by a financial collapse inevitable in a world of unbridled corporate greed, a theme we’ll probably be seeing more of as writers react to current global financial crises. And it shares with The &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/13/metropia-brazil%e2%80%99s-1984-style-matrix-in-21st-century-sweden/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=817&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>In <em>Metropia</em> the holocaust was brought on by a financial collapse inevitable in a world of unbridled corporate greed, a theme we’ll probably be seeing more of as writers react to current global financial crises. And it shares with <em>The Matrix</em> more than just a love of the underground train motif; <em>Metropia</em> makes explicit the implicit <em>Matrix</em> message that human beings might deliberately choose to be slaves to illusions created by the marketplace. The film also rounds out <em>1984</em>’s message by pointing out that absolute control is a primary goal not only of totalitarian regimes but also of other lovers of power—big business, for example. <a href="http://www.voicemagazine.org/articles/columndisplay.php?ART=8137" target="_blank"><em>(read the article)</em></a></p>
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		<title>What is the Avant-Garde and Why Does it Matter?</title>
		<link>http://themindfulbard.wordpress.com/2011/10/13/what-is-the-avant-garde-and-why-does-it-matter/</link>
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		<pubDate>Thu, 13 Oct 2011 14:26:51 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[. . . Yes, it does sometimes seem like the art was done by monkeys or the music played by toddlers or the camera just set on a tripod and allowed to pick up whatever passed in front of it. &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/13/what-is-the-avant-garde-and-why-does-it-matter/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=815&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>. . . Yes, it does sometimes seem like the art was done by monkeys or the music played by toddlers or the camera just set on a tripod and allowed to pick up whatever passed in front of it. But this is definitely not the case. The avant-garde is all the more rigorous because the rules are emerging from the work itself and the artist must be extremely mindful of trespassing against these rules. . . <a href="http://www.voicemagazine.org/articles/articledisplay.php?ART=8130" target="_blank"><em>(read the article)</em></a></p>
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		<title>Si je suis pauvre parce que je suis paresseux et inutile, alors ma pauvreté est un reproche. Si je suis pauvre parce que je suis généreux et industrieux, alors ma pauvreté est une couronne sur ma tête. Si je suis pauvre parce que j&#8217;ai été exploités et des opprimés, puis ma pauvreté est une épée qui sera un jour rompre avec son fourreau.erous and industrious, then my poverty is a crown on my head. If I&#8217;m poor because I&#8217;ve been exploited and oppressed, then my poverty is a sword that will one day break from its sheath. ~~~~~ Si je suis pauvre parce que je suis paresseux et inutile, alors ma pauvreté est un reproche. Si je suis pauvre parce que je suis généreux et industrieux, alors ma pauvreté est une couronne sur ma tête. Si je suis pauvre parce que j&#8217;ai été exploités et des opprimés, puis ma pauvreté est une épée qui sera un jour rompre avec son fourreau.</title>
		<link>http://themindfulbard.wordpress.com/2011/10/13/si-je-suis-pauvre-parce-que-je-suis-paresseux-et-inutile-alors-ma-pauvrete-est-un-reproche-si-je-suis-pauvre-parce-que-je-suis-genereux-et-industrieux-alors-ma-pauvrete-est-une-couronne-sur-ma-tete/</link>
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		<pubDate>Thu, 13 Oct 2011 13:09:36 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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		<description><![CDATA[If I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m genIf I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m generous and &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/13/si-je-suis-pauvre-parce-que-je-suis-paresseux-et-inutile-alors-ma-pauvrete-est-un-reproche-si-je-suis-pauvre-parce-que-je-suis-genereux-et-industrieux-alors-ma-pauvrete-est-une-couronne-sur-ma-tete/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=812&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>If I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m genIf I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m generous and industrious, then my poverty is a crown on my head. If I&#8217;m poor because I&#8217;ve been exploited and oppressed, then my poverty is a sword that will one day break from its sheath. ~~~~~ Si je suis pauvre parce que je suis paresseux et inutile, alors ma pauvreté est un reproche. Si je suis pauvre parce que je suis généreux et industrieux, alors ma pauvreté est une couronne sur ma tête. Si je suis pauvre parce que j&#8217;ai été exploités et des opprimés, puis ma pauvreté est une épée qui sera un jour rompre avec son fourreau.erous and industrious, then my poverty is a crown on my head. If I&#8217;m poor because I&#8217;ve been exploited and oppressed, then my poverty is a sword that will one day break from its sheath. ~~~~~ Si je suis pauvre parce que je suis paresseux et inutile, alors ma pauvreté est un reproche. Si je suis pauvre parce que je suis généreux et industrieux, alors ma pauvreté est une couronne sur ma tête. Si je suis pauvre parce que j&#8217;ai été exploités et des opprimés, puis ma pauvreté est une épée qui sera un jour rompre avec son fourreau.</p>
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		<title>If I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m generous and industrious, then my poverty is a crown on my head. If I&#8217;m poor because I&#8217;ve been exploited and oppressed, then my poverty is a sword that will one day break from its sheath.</title>
		<link>http://themindfulbard.wordpress.com/2011/10/13/if-im-poor-because-im-lazy-and-wasteful-then-my-poverty-is-a-reproach-if-im-poor-because-im-generous-and-industrious-then-my-poverty-is-a-crown-on-my-head-if-im-poor-because-ive-been-e/</link>
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		<pubDate>Thu, 13 Oct 2011 13:04:10 +0000</pubDate>
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		<description><![CDATA[If I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m generous and industrious, then my poverty is a crown on my head. If I&#8217;m poor because I&#8217;ve been exploited and oppressed, &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/13/if-im-poor-because-im-lazy-and-wasteful-then-my-poverty-is-a-reproach-if-im-poor-because-im-generous-and-industrious-then-my-poverty-is-a-crown-on-my-head-if-im-poor-because-ive-been-e/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=809&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>If I&#8217;m poor because I&#8217;m lazy and wasteful, then my poverty is a reproach. If I&#8217;m poor because I&#8217;m generous and industrious, then my poverty is a crown on my head. If I&#8217;m poor because I&#8217;ve been exploited and oppressed, then my poverty is a sword that will one day break from its sheath. ~~~~~ Si je suis pauvre parce que je suis paresseux et inutile, alors ma pauvreté est un reproche. Si je suis pauvre parce que je suis généreux et industrieux, alors ma pauvreté est une couronne sur ma tête. Si je suis pauvre parce que j&#8217;ai été exploités et des opprimés, puis ma pauvreté est une épée qui sera un jour rompre avec son fourreau.</p>
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		<title>Why did the banks give us the shaft? Because we let them.</title>
		<link>http://themindfulbard.wordpress.com/2011/10/08/why-did-the-banks-give-us-the-shaft-because-we-let-them/</link>
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		<pubDate>Sat, 08 Oct 2011 11:55:34 +0000</pubDate>
		<dc:creator>themindfulbard</dc:creator>
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		<description><![CDATA[Those of us whose early lives were grounded in sixties counterculture movements were witness to a number of social experiments that failed— free love, communal living, and use of narcotics, for example— things that may not have started out as &#8230; <a href="http://themindfulbard.wordpress.com/2011/10/08/why-did-the-banks-give-us-the-shaft-because-we-let-them/">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=themindfulbard.wordpress.com&amp;blog=5468178&amp;post=804&amp;subd=themindfulbard&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Those of us whose early lives were grounded in sixties counterculture movements were witness to a number of social experiments that failed— free love, communal living, and use of narcotics, for example— things that may not have started out as experiments (we were <em>so sure</em> we were right!) but ended up being mostly abandoned in favour of practices that actually made the world a better place.</p>
<p>One of these experiments was the libertarian rearing of children. After all children had rights too and who were we to judge what was best for them? We had seen how how own stifling upbringings had crushed us and stifled our creativity, and we knew that if we just gave our kids free reign they would always do what was right for themselves and build a beautiful new world.</p>
<p>Wrong. You simply can&#8217;t give children the sense that they can do as they like. We&#8217;ve been there. We know.</p>
<p>Which brings us to the system of corporations that runs our economy. This is far more unwieldy than a child because it&#8217;s not even human, in spite of having a very clear and aggressive— and potentially malevolent— agenda. So why would we tell this system to do as it likes? Why do people still believe the virulent propaganda that tells us that salvation lies in privatisation and a free market?</p>
<p>I think we&#8217;ve learned our lesson. We flubbed; the checks and balances once imposed on the financial system to protect democracy should never have been removed. The expertise is there to put them back, only smarter and stronger this time around. So let&#8217;s get busy.</p>
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